NPTEL English Literature for competitive exams Assignment 2 Answers:- All the Answers provided below to help the students as a reference, You must submit your assignment at your own knowledge.
What is English Literature for competitive exams?
The course is designed and developed to suit the needs of those students who aim to appear for competitive exams with English Literature as their core subject. It will be useful for those who aspire towards acing competitive exams with literature in English as the main subject and/or want to pursue a higher academic degree, particularly as researchers, in India or abroad. The course includes major works, historical developments, sub-disciplines, movements and trends in English, American and also World literature. The participants will also gain an understanding about the key literary figures of all time and their contribution to their respective literary scenes.
CRITERIA TO GET A CERTIFICATE
Average assignment score = 25% of the average of best 4 assignments out of the total 4 assignments given in the course.
Exam score = 75% of the proctored certification exam score out of 100
Final score = Average assignment score + Exam score
YOU WILL BE ELIGIBLE FOR A CERTIFICATE ONLY IF THE AVERAGE ASSIGNMENT SCORE >=10/25 AND EXAM SCORE >= 30/75. If one of the 2 criteria is not met, you will not get the certificate even if the Final score >= 40/100.
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NPTEL English Literature for competitive exams Assignment 2 Answers
Q1. Arcadia is an idealized pastoral world described by _______. In its first version, it is a pastoral romance in which courtiers disguised as Amazons and shepherds make love and sing delicate experimental verses.
(C) Philip Sidney
Answer:- (C) Philip Sidney
Q2. O truant Muse, what shall be thy amends
For thy neglect of truth in beauty dyed?
Both truth and beauty on my love depends;
So dost thou too, and therein dignified.
Make answer, Muse: wilt thou not haply say
‘Truth needs no colour, with his colour fix’d;
Beauty no pencil, beauty’s truth to lay;
But best is best, if never intermix’d?
The following excerpt is taken from Sonnet 101. Identify the metre:
(A) Heroic couplet
(B) Petrarchan stanza
(C) Shakespearean sonnet
(D) Spenserian stanza
Answer:- (C) Shakespearean sonnet
Q3. The book ______ is a magnum opus by Giovanni Boccaccio which was condemned by the Catholic Church and included in the index of Prohibited Books (Index librorum prohibitorum) in 1559 on the grounds of its “intolerable errors.” In the USA the work was banned until the 1930s.
(A) The Eaten Heart
(B) The Decameron
(C) Diana’s Hunt
(D) Mrs Rosie and the Priest
Answer:- (B) The Decameron
Q4. The essay A Defense of Poetry was written by ________ in response to his friend Thomas Love Peacock’s article “The Four Ages of Poetry”. In the essay, he states: Your anathemas against poetry itself excited me to a sacred rage. . . . I had the greatest possible desire to break a lance with you … in honour of my mistress Urania.
(A) Philip Sidney
(B) Percy Bysshe Shelly
(C) Ben Jonson
(D) Samuel Johnson
Answer:- (B) Percy Bysshe Shelly
Q5. Christopher Marlowe, Robert Greene, Thomas Nashe, John Lyly, Thomas Lodge, George Peele including Thomas Kyd were known as ________. They were a group of young dramatists who wrote and performed in London towards the end of the 16th century who had a fondness of introducing heroic themes in their dramas. They often took it from the lives of great figures and gave heroic treatment to the heroic themes. Their dramas usually had variety, splendid description and violent incidents. Their chief aim was to achieve strong and sounding lines.
(A) Heroic Dramatists
(B) University Wits
(C) Oxford Dramatists
(D) Cambridge Wits
Answer:- (B) University Wits
Q6. In Thomas More’s book ______, he describes a paganistic and a socialist city-state in which the institutions and policies are governed by reason and logic, rather than by tyranny. The description of utopia is represented through a mysterious traveller named Raphael, who is in support of his argument that equality among people is the only cure against egoism in private and public life.
(B) The City of the Sun
(C) Brave New World
(D) The New Atlantis
Answer:- (A) Utopia
Q7. “When thy inconsiderate hand
Flings open this casement, with my trembling name,
To look on one, whose wit or land
New battery to thy heart may frame,
Then think this name alive, and that thou thus
In it offend’st my Genius.”
The excerpt above is taken from the poem A Valediction of my Name, in the Window by _______.
(A) John Donne
(B) Ben Jonson
(C) Andrew Marvell
(D) George Herbert
Answer:- (A) John Donne
Q8. “She is as good as the greatest princess in the land for not all those poets who praise ladies under names, which they choose. So, freely really have such mistresses…. I am quite satisfied…. to imagine and believe that the good Aldonza Lorenzo is so lovely and virtuous….”
The above passage talks about the main heroine in the two-part picaresque novel Don Quixote. Identify the name of the heroine.
Answer:- (B) Dulcinea
Q9. The play _________ depicts the turmoil of deception that ensues when Lovewit leaves his London house in the care of his scheming servant, Face. It is a play of comedy in five acts by ______.
(A) The Alchemist, Ben Jonson
(B) Anything for a Quiet Life, John Webster
(C) Satiro-Mastix, Thomas Dekker
(D) Wit at Several Weapons, Francis Beaumont
Answer:- (A) The Alchemist, Ben Jonson
Q10. _______is a narrative poem in fifteen books completed in 8 centuries. It is an epic or mock-epic poem describing the creation and history of the world incorporating many of the best known and loved stories from Greek mythology, although centering more on mortal characters than on heroes or the gods. Each story contains some sort of transformation as the link that ties them all together. It has remained one of the most popular works of mythology and was perhaps the classical work best known to medieval writers and strongly influenced medieval and Renaissance poetry.
(A) Metamorphoses by Ovid
(B) Decameron by Boccaccio
(C) Ars Poetica by Horace
(D) Satires by Juvenal
Answer:- (A) Metamorphoses by Ovid
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